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  • The Best & Most Interesting Films of 2025

    2025 was a really good year in film. I was at the movies a lot! I would be anyway, but there were multiple weekends where I had to strategize how I was going to see all the films I was generally interested in seeing, as some only available at certain theaters for a limited time. It got complicated, and I had to double up some days. More so, I got to cross a few off my list thanks to The Chicago International Film Festival.

    My ranking system/criteria is determined not entirely by acclaim but the impact the film had on me. When I go to the movies, I like to have an experience. It’s important that I feel something by the time the credits roll.

    That said, the format you see a film in does matter, and seeing a movie in the theater is an experience that should be protected.

    Films that surprised me or made me emotional were the ones I found the most enjoyable.

    Without further ado, here is my favorite films of 2025:

    WARNING: SPOILERS AHEAD

    16. Roofman

    Paramount Pictures

    I understand the marketing may not have fully communicated what kind of film this would be, but I also hate when a trailer tells me too much about a film. Channing Tatum’s performance was heartwarming. Overall, the film took me on an interesting journey based on true events, and also showed how harsh the criminal justice system could be.

    15. Zootopia 2

    Disney

    I really appreciated how woke this movie was. It touched on ethnic cleansing and state propaganda but made it digestible for kids. There was also sexual tension between the Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman). Their relationship was really cute, and how they were eventually able to be vulnerable with each other. Pawbert Lynxly (Andy Samberg)’s switchup did actually gag me and hurt my feelings.

    Animation (and human animators) deserve more respect in the industry.

    14. Caught Stealing

    Sony

    This was one that took me by surprise. I didn’t expect to like it so much. Also I’ve tried to avoid admitting how hot Austin Butler is, but I can’t deny it any longer (Thank you Darren Aronofsky for having him in his undies so much).

    Caught Stealing is such a wild ride with drug dealers, crooked cops, and car crashes. It enlists a great ensemble that ends with a bang, and a full circle moment. I had a lot of fun but was equally stressed out.

    13. F1

    Apple

    I have never cared about car racing, but I was very into this film. I learned a lot about F1 and the science of speed racing. I appreciated the scientific POV from Kate (played by Kerry Condon; yes women in STEM).

    I love a second chance story and was rooting for Sonny (Brad Pitt) amidst his rivalry with Joshua (Damson Idris). Still, I was on Joshua’s team, too, and was ready to cry when he had his accident (Damson is one of my celebrity boyfriends, so I took that personally).

    This is another fun one and I left feeling inspired.

    12. Sentimental Value

    Mubi

    This Danish-Norwegian film is emotionally tough, as it explores a complicated relationship between Nora (an actress struggling with depression played by Renate Reinsve) and her father (Stellan Skarsgard) who is a director.

    I held it together until Agnes (Inga Ibsdotter Lilleaas) told Nora (Renate Reinsve) that she came out okay, “because I had you.”

    Everyone was acting down in this film, and director Joachim Trier gave some very visually interesting shots. with an ending that feels cathartic.

    11. The Secret Agent

    Neon

    This film beautifully captures dictator-controlled Brazil in the ’70s, following a man escaping his past.

    I must say, lead actor Wagner Moura is one to watch (I could see him taking Pedro Pascal’s hype). He played two roles in this film, which takes an unexpected turn in the final act.

    There are many nods to Brazilian culture that have deeper meaning, such as the hairy leg and its symbolism of against the expression of sexuality.

    10. Sorry Baby

    A24

    A very impressive debut film from star and director Eva Victor, this film details the aftermath of sexual assault. Sexual abuse can be shown without gory visuals, and can look different than the average person may think.

    Conversations around assault are so important, and can help the average person understand why abusers are rarely brought to accountability.

    This film has a lot of heart. Lydie (Naomi Ackie) is the perfect bestie in the film, providing support and comedic relief as Agnes processes her trauma.

    9. Mārama

    Dark Sky/Watermelon

    Usually, it’s very hard for something set in the Victorian era to keep my attention, but this was riveting! And I saw it without subtitles, feeling fully engaged despite not knowing any of the languages spoken.

    With that said, I could still understand the themes of this historical gothic horror, following a young Māori woman (Ariāna Osborne) fighting to reclaim her indigenous identity and what was owed to her by her oppressors.

    I love movies that end with burning shit down.

    8. Cotton Queen

    Strange Bird

    Coming of age stories are dear to me. I love when young women and girls choose their own path, despite all the negative speak and harmful systemic beliefs they face.

    Once again, I also love when women burn shit down! At the Chicago International Film Festival, I got to sit in on a Q&A with director Suzannah Mirghani. A story with a lot of heart, and an impressive feature directorial debut, especially when you factor in the difficulties that came with filming in Sudan.

    7. Knives Out: Wake Up Dead Man

    Netflix

    While I do have a couple of critiques for this one, I still am very obsessed with this film. Like the previous films in the franchise, Knives Out: Wake Up Deadman has a star-studded cast and a delicious whodunnit plot.

    I will say, I do agree with takes that some of the cast was miscast and underutilized. Kerry Washington is too good of an actress for so little screen time. Someone on Twitter said Jeremey Renner and Andrew Scott could’ve switched parts and I agree.

    Despite this, Josh O’Connor and Daniel Craig carried. There are gorgeous visuals and important critiques on Christianity (though I feel like it was more of a critique of Protestantism/mega churches than Catholicism).

    All in all it was a wild ride that I wish I could’ve seen it in a theater (Yes, this is Netflix shade).

    6. Frankenstein

    Netflix

    Though some critics felt it was too on the nose convincing us Victor was evil, I still thoroughly enjoyed this film.

    Frankenstein was a very beautiful take on a classic, with a very different looking monster. Jacob Elordi delivered a surprisingly good performance as the Creature. I loved the chapter breakdown – and when the Creature says it’s his turn to tell the story.

    More so, the anticipation that built as he got closer to the ship was really fun and intense. Director Guillermo del Toro loves romanticizing outcasts and loneliness and I think he does so in such an alluring way.

    Toro’s use of practical sets was very impressive, and the production design and costume design awards are deserved.

    This would’ve been nice to see in theaters, too. I’m jealous of those who got to see it in 70mm IMAX.

    5. Superman

    Warner Bros

    Superhero movies can be good! DC is making a comeback, and I loved this version of the beloved hero. It was refreshing to see Superman (David Corenswet) be corny and emotional again, and to see him yearn shamelessly for yearning. I also enjoyed Rachel Brosnahan’s portayal of Lois, who was a real modern independent woman.

    When a story has been done enough times, it’s okay not to redo the origin story. I didn’t expect the twist of his birth parents being evil, or him having to fight a clone of himself. His adoptive parents in Smallville felt very comforting in times we needed to be picked up.

    Nicholas Hoult was a passionate Lex Luthor who was very obsessed with Superman. Mr. Terrific (Edi Gathegi) was a great addition, and gave a fun performance. Lastly, I appreciated the film’s obvious criticism of an apartheid state, whether James Gunn wants to admit it was based on Israel or not.

    4. One Battle After Another

    Warner Bros

    This was my first Paul Thomas Anderson film. It was strange, quirky, funny, and emotional.

    I did have problems with the sexualization of Teyanna Taylor’s character Perfidia. While I do think revolution and sexuality can be linked, it could have been done more thoughtfully given how much Black woman have to deal with misogynoir. In general, I wish the Black women characters had bigger roles in the film, as Black women are critical to the revolution. This Substack explores this frustration deeper.

    I also think there’s only so much Paul Thomas Anderson could tap into as a white man and a Zionist when it comes to revolution.

    Despite my problems with it, I still found the film itself to be very timely in regards to underground networks and immigration, and the sacrifices and risks that come with revolution.

    Sergio (Benicio del Toro)’s “Latino Harriet Tubman situation” was very impressive to watch, and how calm he remained despite Bob (Leonardo DiCaprio)’s anxiety.

    Though there was enough of Deandra, Regina Hall’s performance was quiet and powerful. Chase Infiniti is also a star, and I’m excited to see more from her.

    The winding road chase scene was incredible. I wouldn’t be surprised if the Christmas Adventurer’s club was a real thing.

    Warner Bros was on a role last year… hopefully them being acquired doesn’t ruin the quality of the projects they put out.

    3. Weapons

    Warner Bros

    Weapons is easily one of the best horror films I’ve seen. I’m not always into horror, but I respect when it deals with socioeconomic themes. This was extremely suspenseful and actually scary. It was also a bit funny.

    You truly can’t predict where this is going. I absolutely loved how Zach Cregger utilizes the chapters for each of the main characters. I love how it all unfolds.

    Aunt Gladys (Amy Madigan) was as iconic as she was terrifying and iconic, and I would watch a prequel on her.

    While I didn’t take it as a perfect allegory for gun violence, I still get the point. A whole classroom of kids can be gunned down (or go missing) and nothing will be done about it.

    2. Rental Family

    Searchlight Pictures

    Rental Family was a very touching film. I love Japanese culture, but I had no idea about rental families. I find it true that sometimes it doesn’t matter if something is real if its felt.

    “The girl needs her father” was such a powerful and true line. Sometimes, it doesn’t matter how good of a job a single parent does, the absence of the other parent is always felt intensely.

    This movie provided me an emotional release, as I cried a lot. I was also reminded of how beautiful the unexpected turns of life can be. More so, the film emphasizes how much we can mean to each other and ways to combat loneliness. For me, this is a different take on community and the power of connection.

    1. Sinners

    Warner Bros

    Sinners is not only the best film of the 2025, but one of the greatest films ever made, regardless of whether Hollywood recognizes it as such. It’s a perfect film, from the casting, to the cinematography, to the music, and the writing. This movie blends vampirism, spirituality, blues and the Mississippi Delta for a ride like no other.

    I just watched for the *11th* time and there’s not a piece of Sinners that isn’t award worthy. I’ve seen it in every format I could (IMAX, 70mm, AMC Laser, and at home on Blu-ray). 

    Read my full thoughts on Sinners here.

    Honorable Mentions 

    These were good, just didn’t move me as much as the above.

    • Companion – I really enjoyed this film as we move closer to robot companions and the rapid evolution of AI. Never would I imagine I’d root for the robot.
    • Hamnet – Again, I don’t love films set in this time period, and I did feel like it was cry bait and Oscar bait. Still I must say, much of this was very beautiful. Jesse Buckley does give a powerful performance as Anne. Anne and William Shakespeare (Paul Mescal) spoke in a language only they could understand. At the end, they were real lovers, and people grieve differently (though Shakespeare did deserve a few lashings).
    • Hedda – Tessa Thompson is wonderful in this, and Nia DaCosta is an amazing director.
    • Bouchra – One of the most interesting films I’ve seen. An animated movie about a lesbian coyote filmmaker and her relationship with her mother.
    • KPop Demon Hunters – I was pleasantly surprised with this film.” Golden” is a great original song. I’ll let it have some awards but the Oscar still needs to go to “I Lied to You”.
    • My Father’s Shadow – This film was really beautiful, and deserves more recognition.
    • Is This Thing On? – Get back with your ex propaganda. They were besties though. And just needed to talk things out for real. Not too funny, more of a drama with some comedic elements. Sweet. Things took a turn when wife found out the joke was about her, but then about missing her. Bring real men (yearners) back. Yearning wins again.
    • No Other Choice – This was another timely film about the lengths one will take to land a job.
    • Splitsville – More get back with your ex propaganda. Quite the journey.
    • Companion. Warner Bros
    • My Father’s Shadow. Mubi
    • No Other Choice. Neon
    • Is This Thing On? Searchlight
    • Hamnet. Focus Features
    • Hedda. Amazon
    • Bouchra. Lizard Productions
    • KPop Demon Hunters. Netflix
    • Splitsville. Neon
    Interesting Concepts, Imperfect Executions 

    These are films that I expected way better from, and had they been, could’ve made my top 16.

    Marty Supreme – While it was a wild and entertaining ride very loosely based off of table tennis star Marty Reisman, I’m not sure what the point was. Marty didn’t charm me personally, but I can give credit where its due. Timothy you have earned your baddies chain! And Odessa has big acting chops too. I loved the cinematic style of this, but I felt irritated and confused by the end of it.

    Him – It felt like something was missing. Football is definitely a cult and a religion in this country, but I didn’t feel the film went deep enough into it. Great concept, but missed the mark. Still worth a watch. On Peacock now.

    The Long Walk – David Jonsson deserves more recognition for his performance in this! He and Cooper Hoffman ‘s chemistry carried the film. Without it, I don’t feel like the plot was strong enough. The ending felt incomplete. Also we’re living in dystopian times, so I don’t necessarily need hypothetical films about it anymore.

    Eternity – I loved parts of this; I love films about love. I didn’t enjoy how strict the rules in the afterlife were. It felt like hell to only choose one place and one person to spend the rest of your consciousness with. But maybe it serves a reminder to enjoy life now.

    Eternity. A24 (top left). Him. Materialists. A24 (top middle). Universal Pictures (top right). The Long Walk. Lionsgate (bottom left). Marty Supreme. A24 (bottom right).

    Materialists – It’s no Past Lives. Materialism and capitalism has interfered with many finding love in the modern era, however I agree with those who view it as broke man propaganda Sorry Celine Song, I still love you and I know you hate this interpretation of the movie as that was not your intent, but unfortunately, women can not just marry a man out of love alone. A few tweaks in the casting or the plot could’ve turned this around.

    The Fantastic Four: First Steps – The space scene in the beginning was so gaggy that nothing after it moved me. I had high hopes, and I think the ’60s era setting was doing a lot of heavy lifting. I also wonder if there could have been a stronger Mr. Fantastic…

    Wicked: For Good – Extremely underwhelming in comparison to the first act. Read my blog about this film here.

    Die My Love – This was not for me at all. I get it’s about postpartum but it was too weird for me.

    Mickey 17 – While I was really excited for this one, I must admit it didn’t quite do it for me. It wasn’t a bad film, but I felt it was trying to be two different films that didn’t blend seamlessly – a comedy and an anticapitalist/imperialist commentary. Still, I can appreciate the message.

    Avatar: Fire and Ash – I love the world of Pandora, I am just tired of seeing Skywalkers cause suffering. I get it’s trying to educate against colonialism but it feels like it’s intended more for entertainment. For one, some Native communities have called out the “white saviorism” of the film and its lack of indigenous casting since the first film. More recently, lead actress Zoe Saldaña said her character is a “racist” for hating her colonizers. I’ve expressed more thoughts on Letterboxd. I felt similarly about Avatar: The Way of Water, which I previously blogged about here.

    Movies I didn’t get a chance to see but highly acclaimed and on my list:

    • Put Your Soul on Your Hand and Walk
    • The Voice of Hind Rajab
    • Train Dreams 
    • 28 Years Later 
    • Eddington
    • Love, Brooklyn
    • Twinless
    • Urchin
    • It Was Just an Accident
    • The Smashing Machine
    • The Mastermind
    • If I Had Legs I’d Kick You

  • Why Sinners is One of the Greatest Films of All Time

    Sinners is not only the best film of 2025, but one of the greatest films ever made, regardless of whether Hollywood recognizes it as such.

    Warner Bros

    Sinners is a perfect film, from the casting, to the cinematography, to the music, and the writing. This movie blends vampirism, spirituality, blues and the Mississippi Delta for a ride like no other.

    I just watched for the *11th* time and there’s not a piece of Sinners that isn’t award worthy. I’ve seen it in every format I could (IMAX, 70mm, AMC Laser, and at home on Blu-ray). Each and every time, I did notice something different. That, to me, is the epitome of a great film. When the end credits roll, you can start it over. You can never get tired of it, always discover new things. Where you can be entertained and informed.

    Everything is so rich, and I’m going to breakdown all there is to love, from its originality, to its themes, and the craft making of it all.

    Originality & Inspirations

    Similar to Black Panther, director Ryan Coogler explores ancestral reconnection in this film. This film can be considered a love letter to Coogler’s Uncle James, as many of the inspirations for Sinners is drawn from his love for the blues.

    Coogler once viewed the blues as “old man music”, but found comfort in it after his beloved uncle passed away. Buddy Guy, who plays an older version of Sammy in the film, was Uncle James’ favorite musician.

    I also consider this film a love letter to the South. We don’t always get to see the South, especially Black people in the South, represented in such a beautiful and complex way. This representation felt timely with 2025’s Met Gala theme entitled, “Superfine: Tailoring Black Style“.

    Black Southerners were stylish, and dressed down even when they were marching for freedom.

    The South was just one inspiration for this film, as the inspiration for the vampires came from Puss in Boots: The Last Wish. There were many other influences for Sinners, which Coogler detailed in his letter provided to IndieWire below:

    Letter provided to IndieWire.

    Spiritual Themes

    Warner Bros

    One of my favorite things about Sinners is how it examines the relationship between Black southerners, oppression, and spirituality. As someone who is recovering from religious trauma, I appreciate the criticisms of Christianity.

    The first villain of this film isn’t Remmick, but Sammy’s own father. Early in the film Jed curses him, saying, “You keep dancin’ with the devil, one day he’s gonna follow you home.” Blues (and sometimes all secular music) is demonized, which is particularly unfair to Sammy and the gift he has.

    Sammy even kept his word to Jed, saying he would be back in time for service once he left for the night. Even after the traumatic night he had, he came back to church, and was met with contempt.

    Sinners touches on why so many have left the church, as some Christians lack compassion and become too judgmental and harping over certain sins (that may not even really be sins). While the film is entitled, Sinners, many of the sins were ways Black Americans coped with the oppression of the time.

    In my own journey, I have had to separate God from Christianity in the traditional religious view, as there are too many ties with the religion and it has been used to oppress Black Americans.

    Warner Bros

    In Christianity, other religions are also demonized, but hoodoo has a comforting presence in this film, guiding Annie to help protect the other characters for most of the film. For accuracy, Coogler consulted African American and American Religious scholar Dr. Yvonne Chireau who authored Black Magic: Religion and the African American Conjuring Tradition.

    “The strongest aspect of Hoodoo, I would argue, is that it is a tradition of healing,” Chireau says, which she believes Coogler accurately conveys in the film. “Hoodoo isn’t just practice, but thought. Hoodoo for enslaved people, [which] carried after slavery, was the means of healing relationships. Between lovers and families like we see with Annie and [Michael B. Jordan’s] Smoke, but also relationships between the living and dead. This is paramount to Black American people, because the chain between the living and the dead from Africa to America was severed during the Middle Passage.”

    — Dr. Yvonne Chireau, Teen Vogue

    Still, Hoodoo is portrayed to have its own limitations, as it ultimately can’t save everyone from death. Annie’s magic worked for Smoke, but not their baby. And she knew she was going to die, which is why she told Smoke not to let her turn, so she could be reunited with the ancestors.

    Dr. Chireau also stated that blues and Hoodoo connected, and there is a lot of Christianity in Vodou and Hoodoo. The juke becomes a sacred space for those who have worked hard in the field all day, and for the community to connect with their ancestors.

    Warner Bros

    Distinguished Characters, Brilliant Performances

    A good movie needs interesting characters, and a good villain especially. Remmick is one of my favorite characters of all time. He was written so thoughtfully. Someone noticed how when he’s pleading with the Hogwoods, that he switches from “Choctaw” to “dirty Indians” after he notices the klan outfit.

    He carries around gold as the currency, and behaves in a way that alludes to him living in a time before racism was prevalent. He definitely was around during the colonization of Ireland, which was first invaded by England in 1169.

    Remmick is also extremely funny. Some of his best lines were improvised by actor Jack O’Connell.

    Likability aside, the community he was trying to build was still a form of oppression, and Sammy was his prey. Remmick put up a tough fight, and he didn’t die easy – it took a steak to the heart, silver to the head, and sunlight to fully end him.

    Warner Bros

    The whole ensemble was truly something, as everyone was clocked in. But there are a few performances that deserve accolades. Miles Canton delivered a great debut performance as Sammy. It was important to cast a fresh face that was as talented as the character was written to be. The audience and Stack had similar reactions the first time we heard Sammy sing.

    Michael B. Jordan’s portrayal of the twins is no small feat. He played them both with such complexity. And as some critics have noted, he really played three characters, as he played Stack before and after becoming a vampire. He also had to tap into a grieving Smoke, who lost both his brother and the love of his life.

    The twins were in fact very different, as even Wunmi Mosaku (Annie) mentioned that she feel if Smoke or Stack was walking up to her on set. Though a lot of VFX helped bring the twins to life, that technology only enhanced the work Jordan and his body double put into the role.

    Mosaku’s performance is also crucial to the film, and her work should not be overlooked this awards season. Her character and her spirituality are such essential aspects of this film, and to helping the crew stand a chance against Remmick. Annie is the heart of the story in many ways.

    While her death was the hardest to watch, I feel comforted that her spirit lived on with Smoke and their daughter.

    Another performance I loved was Omar Miller’s as Cornbread. The scene after he was turned was both chilling and hilarious.

    Last but not least, Delroy Lindo needs to leave with something. Delta Slim embodied uncles of that time period so well. And the car scene – powerful stuff. The way he tells the story of his friends, and the way he immediately breaks into song is an incredible (improvised) moment that captures how Black Americans cope.

    Warner Bros

    In tandem with great acting, Sinners has some of the most quotable lines ever. Here are some of my favorite line deliveries:

    • “Nah, we cousins” – twins
    • “All money come with blood, baby” – Smoke
    • “Your body didn’t forget me” – Annie
    • “Blues wasn’t forced on us like that religion” – Delta Slim
    • “You can rob trains and banks but you can’t steal this pussy from me?” – Mary
    • “No vision” – Stack
    • “And what is it we ought to be doing” – Delta Slim
      • “Being kind to one another” – Cornbread
    • “Come on in you mutherfuckas!” – Grace
    • “Sammaaayyy” – Remmick
    • “Last time I seen my brother, last time I seen the sun” – Stack

    Incredible Vision

    Ryan Coogler has been one of my favorite filmmakers since his debut film. He made Fruitvale Station when he was 25, fresh out of grad school at USC. Directing an ensemble and a story like this is very inspiring to say the least.

    Over the years, Coogler has earned trust from his audience, as we know we can expect greatness (and great representation for Black people) from him. Even if he doesn’t get all the acclaim he deserves, he has something money can’t buy: a loyal following.

    I am a part of his loyal fanbase, as I know that with his films come intentionality, masterful craft making, and unique storytelling.

    Much of the production and decision-making around Sinners tells me Coogler is a genius. Not many can direct such an ensemble or plot with all these elements so seamlessly. Further, the visual storytelling is on a whole other level.

    There are a few scenes that utilize empty space, such as when Cornbread was trying to reenter the juke after being turned. There are also many scenes at the part of the movie that were blocked as though it were a play, which adds to the classic feel of it all.

    The opening shots that parallel Jed and Remmick are not only aesthetically amazing but depict the links between Christianity and oppression mentioned earlier.

    I also really appreciate the way he depicted trauma in this film – the car scene with Delta Slim and the usage of was incredibly impactful storytelling.

    He really knew the best way to put such a layered story together, even knowing what to delete and rearrange, as the film was supposed to begin with Remmick at the Hogwood home.

    Also, he is open to suggestions from his cast. A prime example of this being that Li Jun Li (Grace) asked him to add a flashback of Lisa to help the audience understand her.

    History Lessons

    Warner Bros

    With a Coogler film, you can often expect some sort of lesson in culture or history. In Sinners, the true horror is that regardless of the vampires, Black Americans were always in danger (necropolitics is has become a trend in horror). For Smoke and Stack in particular, their death was inevitable anyway, between the gangs and the klan.

    In the twins and Sammy’s journey, Coogler nods to the Great Migration, as many Black Chicagoans have origins in Mississippi (my family included). “The klan don’t exist no more,” was very funny to me, as they definitely existed in the ’30s and still exist today.

    Coogler is very considerate about having authentic representation, as he cast actors that were actually Choctaw and highlighted a lesser known history of Chinese Mississippians in the Delta.

    Real Lovers Making a Comeback

    Warner Bros

    I was surprised by how freaked out the characters in Sinners were but they were also real lovers. The men really yearned for their ladies and the dialogue around it felt romantic.

    In particular, Annie and Smoke’s relationship was special to watch. They respected each other, and listened to one another in times of panic. They didn’t question each other’s authority (minus when Annie told Smoke to leave Stack’s body alone, as he was grieving).

    Coogler seems to be a real lover in real life, as he has such care for his wife and creative partner Zinzi Coogler.

    Warner Bros

    Master of his craft

    You can feel when someone loves their craft. And it’s infectious. Coogler is my favorite director because he is very humble and has a beautiful mind. He seems to be a good male gemini (rare).

    In this interview, he talks about his intent to make the best movie he can, and how once its in the world, it belongs to the audience.

    Part of his success can be attributed to those he’s worked with.

    Impeccable Cinematography

    Sinners has some of the best cinematic moments in the history of film, which can be accredited to Autumn Durald Arkapaw, ASC. She is the first female DP to shoot on 15-perf IMAX 65mm film and the first to combine IMAX with Ultra Panavision 70, creating distinct visuals for the film. She has previously worked with Coogler on Black Panther: Wakanda Forever.

    Her work is truly gorgeous, and hard to put to words just how much so. View this slideshow of some of my favorite shots:

    • Sammy’s intro
    • The Twins!
    • Remmick’s intro
    • Chocktaw tore Remmick up!
    • Remmick’s first kill
    • THAT scene
    • Literally burned the house boots down
    • Remmick…
    • Irish dancing!
    • Remmick’s dream come true
    • Pale pale moon!!!
    • Grace: Come in you motherfuckas! Remmick: Bet
    • SAMMMAY!!!!
    • Remmick’s goodbye…
    • Poor babies forever traumatized
    • Beautiful burning scene
    • Smoke w that smoke!

    Music Brings It All Together

    The music is honestly the true star of this film. The score stayed in my mind long after the movie was off the screen. Seriously, my mind would be wired as I was trying to go to bed.

    Ludwig Göransson has been a longtime creative partner of Coogler’s, and did what needed to be done for the film’s soundtrack. I love that Beyoncé’s “Cuff It” helped inspire some of the music for Sinners, as Göransson would work with music legend Raphael Saadiq on the soundtrack. He also collaborated with Buddy Guy and his wife, Serena Göransson, who served as the executive music producer.

    There are many songs to love, from “I Lied To You” to “Pale Moon”. These songs also captured the thesis of the movie, how music conjures spirits.

    Further, Coogler should win best director for the music sequence scene(s) alone. That one scene, you know the scene, is literally transcendent. It could have gone so wrong if not executed to perfection.

    The soundtrack for this movie was so good, I found myself singing songs I’d never thought I’d enjoy. “Pick Poor Robin Clean” and “Rocky Road to Dublin” were also iconic. Acclaimed director Christopher Nolan agrees, stating that the river dance scene is “the most specular musical inversion since Kubrick’s ‘Singin’ in the Rain’”.

    A Film That Will Stand the Test of Time

    Sinners is a film that’s both acclaimed and popular. It ended up being one of the highest grossing original and R-rated films, bringing in $368 million worldwide, ($280 million domestic and $88 million international).

    For all the reasons mentioned above, I am so grateful this movie exists. It means so much to me.

    A Few Reflections…

    Warner Bros

    Tea I realized after watching so many times:

    • I don’t think Remmick or Pearline are lying about their spouses…
    • Growth is realizing: Grace was real. You can’t expect people to act rational in unfathomable scenarios. She was ready to act, and scared for her daughter.
      • Lowkey, maybe she should’ve went with Bo and let him turn her. They could’ve let Lisa live and run the store and turned her when she was older.
    • I feel so bad for Cornbread’s wife. And Mary and Pearline’s husbands…
    • The town probably assumed the klan killed everyone.
    • There was another person that was there to help them fight the vampires (pictured on the far left above)
    • Double meaning when Annie says, “if you put that smoke out, you can hold her”. She was referring to the cigarette and Smoke, the gangster. In the afterlife, she didn’t want Smoke, but Elijah.
    • Sammy’s gift saved him. While his song attracted Remmick in the first place, the guitar literally saved him, and gave his life a whole new meaning.
    Warner Bros

    What Hollywood can learn from Sinners:

    • Give creatives more agency.
      • Let Ryan Coogler do whatever he wants.
    • Horror is a valid genre.
    • Original stories matter!
    • Go woke, go rich, actually!
    • Movies belong in theaters, sometimes for extended and multi-format viewings.
    • Black movies can win for more than stories about slavery or drugs.
      • I hope Sinners racks up during this awards season, but as I said, it’s still goated regardless.

  • Love’s Best of Chicago 2025

    A breakdown of the most fun things and memorable experiences I had this year in the city.

    Photo by Chait Goli on Pexels.com

    It should be no surprise that Chicago is the best city in the United States (this isn’t just according to me, but Condé Nast). I grew up in the suburbs but have moved to the city as an adult, and there’s always so much to do, so much to see! Regardless of the season, Chicago always has lots to enjoy, from its architecture to its tasty food scene, historic museums, lively festivals, and more attractions for tourists and locals alike.

    Chicago has many neighborhoods, each with their own unique vibe and set of attractions. There’s much to explore in this great city, and I could not possibly name all the good stuff there is, or even all that I’ve experienced in the last 365 days. But I can give you a list of some of my favorite things in the city, starting with art:

    Museum & Art Exhibits

    Reimagine: Himalayan Art Now 

    Nov. 8, 2024 – Feb. 15, 2025

    Organized by the Rubin Museum of Himalayan Art in New York on the occasion of its 20th anniversary, Reimagine: Himalayan Art Now presents 28 contemporary artists from the Himalayas, Asia, and diaspora whose work is presented in dialogue with objects from the Rubin Museum’s permanent collection, inviting new ways of encountering traditional Himalayan art.

    — Wrightwood 659

    This exhibit has left, but you can still see its archive page here.

    Prithvi Shrestha; Attachment; 2018; acrylic on canvas; courtesy of the artist; Photo by Dave De Armas

    Firelei Báez

    Nov. 15, 2025 – May 31, 2026

    “My works are speculative propositions, meant to create alternate pasts and potential futures, questioning history and culture in order to provide a space for reassessing the present.”

    — FIRELEI BÁEZ

    Learn more about this exhibit, also at the Museum of Contemporary Art, here.

    Firelei Báez, Man Without a Country (aka anthropophagist wading in the Artibonite River) (detail), 2014–15. Gouache, ink, and chine-collé on 225 deaccessioned book pages; 106 1/4 × 252 in. (270 × 640 cm). Institute of Contemporary Art/Boston; Gift of Fotene Demoulas and Tom Coté. Image courtesy the artist and Hauser & Wirth, New York. © Firelei Báez. Photo: Oriol Tarridas.

    Yoko Ono: Music of the Mind

    Oct. 18, 2025 – Feb. 22, 2026

    Yoko Ono: Music of the Mind presents one of the most comprehensive exhibitions to date of Yoko Ono, the trailblazing artist, celebrated musician, and formidable campaigner for world peace. This remarkable retrospective celebrates key moments of Ono’s career, showcasing art driven by ideas and expressed in poetic, humorous, and profound ways.

    — Museum of Contemporary Art

    Learn more about this exhibit here.

    Yoko Ono, PEACE is POWER, 2017. Installation view, Yoko Ono: The Learning Garden of Freedom, Fundação de Serralves – Museu de Arte Contemporânea, Porto, Portugal, 2020. © Yoko Ono. Photo: Filipe Braga.

    Africa Fashion

    Feb. 28, 2025 – June 29, 2025

    Africa Fashion explores the global impact of Africa’s dynamic fashion scene, featuring a variety of works from across the continent. Organized by the Victoria and Albert Museum in London, this exhibition features immersive displays of haute couture and ready-to-wear apparel with more than 180 works representing artists from over 20 African countries. 

    The Field Museum collaborated with two local creatives featured in Connecting Threads, Melody Boykin, creator of Black Fashion Week | USA, and Jennifer Akese-Burney, a Ghana-born designer in Illinois. Their contributions to the exhibition include newly created pieces inspired by items in the Field Museum’s collections and works by local designers.

    — Field Museum

    Though Africa Fashion was only for limited time, Connecting Threads will be open through March 2026. Learn more here.

    Victor Hilitski/For the Sun-Times

    Marvel’s Spider-Man: Beyond Amazing – The Exhibition

    May 22, 2025 – February 8, 2026

    Through this comprehensive exhibition, superfans can dive deep into the evolution of Spider-Man from his first comic book appearance to the latest TV, movie and video games. Starting from Spider-Man’s introduction in Amazing Fantasy #15, guests will experience the evolution of this hero. Explore drawing styles and techniques, story creation, and the incredible cast of well-known supporting characters. Whether a comic fan or a movie-lover there is something to explore around every corner, plus, kids of all ages can learn to draw Spider-Man and get hands-on with other activities.

    – Griffin Museum of Science and Industry

    Learn more here.

    Griffin Museum of Science and Industry

    Best Meals

    Sit down at the restaurant

    LÝRA 

    This Greek restaurant in Fulton Market has delicious pasta, dips and more. Winner of Open Table’s “Diner’s Choice 2025”, the menu incorporates renditions of authentic Greek favorites with locally sourced ingredients. 

    • Interior. LÝRA.
    • Dips. LÝRA.

    Dawn A.M. Eatery

    Located in Hyde Park, this restaurant prides itself on “freshness in every bite”, with meals made from scratch. It successfully exudes Southern excellence, and has amazing brunch. In particular, I loved the fried green tomatoes and peach waffles.

    • Interior. Dawn A.M. Eatery
    • Southern inspired dish. Dawn A.M. Eatery.
    • Fried green tomatoes. Sonjanita Moore

    Rose Mary 

    Located in Fulton Market, Rose Mary is inspired by Chef/Owner Joe Flamm’s Italian heritage and Croatian cuisine. Named after the herb and Flamm’s grandmothers, Rose Mary is the winner of several awards including, “Top 100 Restaurants in America” by OpenTable” in 2023 and 2024 and “The 25 Best New Restaurants in Chicago” by the Chicago Tribune. I tried it for the first time during Restaurant Week and was changed for the better. Some of the best wine (Moscato D’asit) and dessert (toffee cake with pistacio ice cream) ever!

    • Interior. Rose Mary
    • Dishes. Rose Mary
    • Dessert. Rose Mary
    • Moscato D’asti. Taken by me

    RPM Steak 

    RPM Steak is part the RPM group of restaurants from Bill and Giuliana Rancic and siblings R.J., Jerrod and Molly Melman of Lettuce Entertain You Enterprises. The brand focuses on sourcing the highest quality ingredients and providing exceptional service. Located in River North, I also tried during Restaurant Week and had the best wagyu steak ever.

    • Interior. RPM Steak
    • Dish. RPM Steak.

    Nonnina 

    Also in River North, this Italian restaurant has dishes made from scratch and “made with love… Just like Nonna would.” A part of The Good Plate Hospitality Group, I’ve always had a good experience here. In fact, I have it so good I can get a dish that’s no longer on the menu.

    • Exterior. Nonnina
    • Chicken Parmigiana. Nonnina
    • Dish. Nonnina

    Carry Out

    • Dog Haus – With critical acclaim for its signature all beef Haus Dogs and handcrafted proprietary Haus Sausages, Dog Haus serves meat that is humanely raised, hormone- and antibiotic-free. It’s the best burger I’ve had by far, and served on King’s Hawaiian rolls. Though it originated in Pasadena, there’s a few locations around Chicago.
    • Ramen San – This neighborhood noodle joint is good for dine-in or carry out, with hot broth, ice-cold beer and ’90s hip-hop. The kimchi ramen is the best I’ve had. There’s several locations across the city.
    • Nancy’s Pizza – Nancy’s has my favorite thin crust pizza. The leftovers taste just as good the next day. Home of the original stuffed pizza, Nancy’s was “essential to Chicago’s Golden Age of Pizza in the late 1960s and early 1970s”.
    • QuesaBirria Jalisco Tacos– Located in Pilsen, this is the home of the original quesabirria tacos in the city and considered the best of the best. It’s worth the line.
    • Chengdu Bistro – Whether dining in or out, Chengdu Bistro serves authentic Sichuan dishes, handmade noodles, and soup dumplings. There are a few locations including the Loop and Wicker Park.

    Hot dogs. Dog Haus (top left). Little Mule burger from Dog Haus. Yelp (middle left). Kimchi ramen. Ramen San (top right). QuesaBirria. Trip Advisor (bottom left). Nancy’s Pizza (bottom middle). Chengdu Bistro (bottom right).

    Fave Performances/Concerts

    • Doechii at Lollapalooza – Doechii is great performer. She went to the school of Beyoncé for sure, as she can dance, sing and rap without missing a beat.
    • Sabrina at Lollapalooza – Big Brina is slowly becoming one of my favorite pop girls. I really love that she brought out Earth, Wind and Fire during her set.
    • Beyoncé at Soldier Field – Needless to say will always gag me into oblivion. I go through withdrawals after seeing her. I wish I could see the Cowboy Carter tour again. She is an incredible performer, and an amazing artist to watch.
    • Destin Conrad at the House of Blues – Like one of his song titles, Destin literally had the place “Jumpin’”! He’s a very talented, very important R&B artist.
    • Monaleo at the Vic Theater – Monaleo also had the house jumpin’, and gave us rap and vocals. I am happy her career is reaching new heights.
    • Doechii at Lollapalooza. Sacha Lecca for Rolling Stone
    • Sabrina Carpenter Closing Night at Lollapalooza. Alfredo Flores for Rolling Stone
    • Monaleo at the Vic Theater. SPKRBX presents YouTube Channel
    • Destin Conrad at the House of Blues. Kamil Surma Photography
    • Beyoncé at Soldier Field. Parkwood Entertainment

    Film Festivals

    • Chi Film Festival – As a certified cinephile, I was happy to see several films at this festival, most of which were international. Some of these films will be included in my best films of the year post (stay tuned). During this festival, I got to visit the Criterion Closet, watch animated shorts and attend screenings with directors present (one example being Nia DaCosta for Hedda).
    • Black Harvest Film Festival – At this festival, I got to see short films from artists across the diaspora. There was also a special screening of Ossie Davis’s Black Girl, based on the play by J.e Franklin.
    • Robert Townsend’s Film Festival Pop Up Weekend – As if the above weren’t enough of a treat, this year Robert Townsend also decided to visit his hometown and share some expertise with aspiring filmmakers. There was also screenings for some of his most iconic films, and a comedy show.

    All the above photos were taken by me at Chicago International Film Festival, The Black Harvest Film Festival, and Robert Townsend’s Film Festival Pop Up.

    Special Mentions

    • The Tiny Tapp – Located on the Riverwalk, this cafe and bar is always a vibe on a nice weather day. The Henry Holiday is a must have (if you can handle your liquor).
    • Angel Reese – I am a fan! I am happy I got to see her play with the Chicago Sky, though I’m not sure what will happen next season.
    • AIRE Ancient Baths Spa – Located in a restored factory from 1902 in River West, this spa offers relaxation like no other through the traditional Roman, Greek and Ottoman ancient experience of baths.
    • Printers Row Lit Fest – Located on historic Printers Row (which was once the bookmaking hub of Chicago), this festival is the largest free outdoor literary showcase in the Midwest. It celebrates the love of books and is presented by the not-for-profit Near South Planning Board.
    • Scarlet – Located in Boystown, the vibes in this gay bar are impeccable. I feel honored to be allowed as an ally and love partying in this safe space.
    • The Understudy – Located in Andersonville, theatre bookstore doubles as a coffee shop for people looking to get lost in a good book, enjoy a passionate conversation, or cozy up with a delicious cup of coffee.
    • Love Island Watch Parties – This was one of those experiences where you just had to be there… I’m not even sure I will care about Love Island again next summer, but I was locked in for #Nicolandria. Watching reality TV in a nice restaurant with my girls was a highlight of my summer.
    • Puppy Sphere. This year, I tried puppy yoga for the first time. Puppy Sphere offers classes in West Town and soon in Lakeview. There was lots of puppies to go around, though they would use the bathroom freely (it would be cleaned up immediately). The breeds are announced three days before the scheduled class.

    Photos of Cavapoos taken by me.

    To try in 2026:

    • Chicago Latin Film Festival – Produced by the International Latino Cultural Center of Chicago, this festival screens close to 100 films from all over Latin America, the Caribbean, Spain, Portugal and the United States. 
    • More dining. I love to treat myself to a nice restaurant, or be treated. There’s many on my list, but for now I’ll just share a couple:
      • Alla Vita – Serving a casual, family-style menu, Alla Vita is a place to gather and enjoy comfortable Italian cuisine. Alla Vita means “to life” in Italian which recognizes overcoming life’s challenges and creating a space for shared meals and memorable experiences. Executive Chef Lee Wolen shares his passion for fresh, delicious Italian food made simply with the best ingredients.
      • Casa Tulum – Casa Tulum brings the warmth and flavors of Mexico to Chicago’s South Loop. With every dish, we invite you to experience the vibrant traditions and culinary heritage of our Tulum home.
      • Dining with my dog – When it gets warm, I want to take my dog to a nice brunch. Thankfully, many restaurants in Chicago have puppy menus, including Nonnina. More dog-friendly dining options can be found on this list curated by Choose Chicago.
    • The Jury Experience – With this immersive live theater show, you get to step into the heart of a high-stakes trial. Here you will face complex cases, examine the evidence, and cast votes throughout the experience. Each decision you make affects the outcome.
    • Attend a sports game – I’m not really a sports girl, but I do think there’s something special about experiencing team camaraderie live. I’ve never been to a hockey or soccer game in the city yet, but I’d like to. And now that the Bears are making some noise, maybe a football game is warranted too.
    • More art. In particular, I want to go to Mehal House in Humboldt Park. This studio was founded by a husband-wife duo from different ethnic backgrounds, and offers Sufi, Sketch & Sip classes.

    Dining at Alia Vita (top left). Interior, Casa Tulum (bottom left). Chicago Latino Film Festival. Film Freeway (left middle). Dog dining. Taureaux Tavern (top right). The Mehal House studio, decked out in Eliza Karazah and Balpreet Singh’s artwork. Provided to Block Club Chicago (top middle). Chicago Bears kicker Cairo Santos and team celebrating win against Minnesota Vikings, Nov. 16, 2025. AP Photo, Matt Krohn (bottom middle). The Jury Experience (bottom right).

    That’s it for now! Looking for to exploring more in 2026.

  • Bel-Air: It’s hard to say goodbye…

    The record-breaking Peacock original has come to an end after four seasons.

    Peacock

    Though I’ve waited over a year for this show to come back on, when it finally premiered in late November 2025, I didn’t want to watch it. After four seasons, one of my favorite shows was coming to an end.

    It’s hard to say goodbye to a beloved show, and thus, I had to brace myself. So many shows lose momentum over time, so many fail to end on a high note. Thankfully, Bel-Air gave us good television until the very end, and kept it’s essence along the way.

    Granted, I am a firm believer that not everything needs a reboot or reimagining. In fact, many reboots feel tired and like a money grab. But this was a great, refreshing take on a classic.

    What started as fan-made trailer became the only original Peacock show to make it to four seasons. The show cleverly honors the old while establishing new takes on the beloved characters and their journeys. There’s more drama, higher stakes, and more specific cultural references.

    As far as casting, I’m always a proponent for new talent, especially for roles where big shoes need filling. Jabari Banks, who plays Will, shares some essential similarities with Will Smith. He moved from Philly to LA to play this iconic role.

    Essence

    The Banks family is also full of fresh faces, highlighting a talented ensemble of a beautiful, fashionable, mostly dark-skinned family. The Banks family dealt with it all – addiction, racism, money-laundering, law enforcement, relationship strains, college admission, sibling rivalries and more, all while staying stylish and keeping it classy.

    For four seasons we got good music, and transformative themes. Having a wholesome Black-led show on my screen meant the world to me. Though there were times the drama got heated, the show always circled back to what it meant to be a family, and what it meant to have integrity.

    As Adrian Holmes (Uncle Phil) told the Hollywood Reporter, “We’re not defined by our struggle. We’re not defined by our trauma. We’re showing the joy, the ambition, the resilience. We’re showing the other side of the coin of who we are as a culture.”

    Peacock

    My only real critique with this season is the Geoffrey/Uncle Phil storyline. Geoffrey (Jimmy Akingbola) and his UK gang was stressing me out! They were trying to ruin him and Uncle Phil and it was getting too messy for my liking. Geoffrey being a lowkey gangster was cute at first but started taking up too much of the major plot by the end.

    However, it’s nice that Adrian Holmes got to work with his real-life wife Caroline Chikezie, who you may know as Noma from Power Book II: Ghost. Overall, I’m glad they cleaned it up, keeping Phil as an honest man and keeping Geoffrey a part of the Banks family and out of trouble. They even reunited him with his lover Penelope and gave him a renewed sense of self and purpose.

    All the storylines felt closed with intention, and every character experienced some sort of catharsis. Though Ashley (Akira Akbar)’s character arc also took some time to find its footing, she came around to finding herself and exercising her voice in an impactful way. Her letter to baby Nicky was touching, and a tear-jerker.

    We watched Jazz (Jordan L. Jones) and Hilary (Coco Jones) fall in and out of love, and eventually become business partners and business neighbors, each prospering as young entrepreneurs and getting over their issues.

    Peacock

    Carlton (Ozzy Sholotan) had the best character arc, and his brotherhood with Will was really beautiful to watch unfold. His character really came into his own, and overcame so much. We watched Will mature over his time in Bel-Air, and become a new person. His graduation speech, which panned to the characters that inspired him as he mentioned their attributes, was perfect. The placement of Will at UPenn and Carlton at Morehouse a good plot twist.

    Though Lisa (Simone Joy Jones) and Will are taking a break, they may still reconnect in college as they won’t be that far away (UPenn and Howard is a 90 minute commute by train). Thankfully, Amira (Alycia Pascual-Pena) and Carlton didn’t get married but they will both be together in Atlanta for school.

    It was also nice to see Vy (April Parker Jones) putting herself first – a gentle reminder that more Black women should do the same – as she was glowing, dating, and dancing into her new timeline. Lou (Marlon Wayans) got a job back in Philly, and will be close to his son.

    Though everything didn’t go according to plan, Aunt Viv (Cassandra Freeman) safely gave birth to baby Nicky, with the help of a comforting doula (played by OG Aunt Viv Janet Hubert). Thus, Aunt Viv and Uncle Phil get to start anew with baby Nicky, get Ashley in a creative school, and give back to Black families that were affected by the Altadena fires as they decided to move out of their Bel-Air home. This time, Uncle Phil is the last one in the empty house.

    Peacock

    Overall, there were many beautiful moments throughout the series. There were several moments that gave nods to the original cast and iconic moments, including scenes featuring:

    • both aunt Vivs (Janet Hubert and Daphne Maxwell Reid)
    • Carlton’s dance – the briefest moment at the Blackcess party
    • The “Jump On It” dance
    • OG Geoffrey (Joseph Marcell)
    • OG Ashley (Tatyana Ali)
    • OG Vy (Vernee Johnson)
    • a painting of OG Uncle Phil (RIP James Avery)
    • Tyra Banks as Aunt Viv’s sorority sister
    • the fight between Will and Lou (one of the best on-screen fights I’ve ever seen; but leads to eventual reconciliation)
    • Will Smith as future Will
    Peacock

    Janet Hubert’s guest role meant a lot to me, as she deserves her flowers. It was such a good full-circle moment to bring her back to help Aunt Viv give birth. That episode was very spiritual and a good reminder to release the negativity holding you back.

    Seeing Will Smith come back was also very incredibly meaningful. Apparently, it wasn’t confirmed if Smith would be available to shoot this final scene, so they planned two different endings just in case. Thankfully, they made it happen.

    Ever since I saw My Old Ass, I’ve found that talking things out with your future self can be more comforting than anything else. For me, it’s confirmation that everything will be alright, which is exactly what that scene between Wills embodied.

    Peacock

    From the series finale, I was reminded that transitions can be scary but good. Beautiful, even. I took note of some lines (paraphrased) that serve as affirmations (and that may have made me shed a tear):

    • Growth happens when we’re uncomfortable. And when we love people enough to love us through it. 
    • Our crown is waiting for us. 
    • Sometimes it’s about letting go of who you thought you had to be to become who you’re supposed to be.
    • I’m not worried about losing who I was, but who I’ve become.
    • Your crown looks good on you, nephew.
    • Are you nervous about the future? No.. it’s just waiting for us to light it the fuck up!

    While many feel like they could’ve stretched a couple more seasons, I understand a lot goes behind the scenes of making a show, esp. in post-strike and post-COVID Hollywood. Plus, it’s hard to transition to college-aged characters while different cast mates have other career pursuits. The Bel-Air cast is extremely talented, with Jabari Banks having recently released his debut EP, Ultra, and Coco Jones fresh off tour for her debut album Why Not More?.

    With all these factors in mind, season 4 did feel a bit rushed, but it did not compromise the show’s substance. It still made me feel warm and safe, and I will miss my family! As Cassandra Freeman once described the show, Bel-Air is heart medicine. I’m not sure who my next supplier will be, but grateful for the time we had this medicine prescribed.

    I applaud the cast, crew, writers, showrunner, creator Morgan Cooper (director of the fan-made trailer) and Will Smith for making it all happen, and doing it well.

    The legacy of both The Fresh Prince of Bel-Air and the reimagined Bel-Air will be considered classics and positive representation for ages to come.

    Peacock

  • Was Wicked: For Good, Good?

    Is it a bop or flop?

    Universal Pictures

    After a year of waiting for the highly-anticipated Wicked: For Good, I was left feeling entertained, yet a bit unsatisfied.

    While I still enjoyed the film overall, I found a lot of problems with it, most of which can be attributed back to the source material. The latter half of Wicked on Broadway has never compared to the former, from the catchiness of the songs to the holes in plot (regarding continuity with The Wizard of Oz). I appreciate that a few liberties were taken in the film to try to add depth to the second part, such as new original songs “No Place Like Home, and “The Girl in the Bubble”, and even a few extended scenes.

    Still, the pacing felt off and less balanced than before. Certain scenes felt rushed or underdeveloped, unable to mix the comedic elements with the increasingly high stakes. In particular, the series of events after Elphaba and Fiyero became intimate didn’t feel as impactful. Elphaba couldn’t even enjoy her man before getting a vision that her Nessarose was in trouble. Then, she didn’t get to grieve her sister before getting into a bitch slapping contest with Glinda.

    On top of that, Fiyero is all of sudden on the scene and risking his life to save Elphaba’s… the same Elphaba who used to have Ozzians laid out by accident now can’t do it on purpose when it mattered most.

    Universal Pictures

    While the aesthetics of this world are beautiful, there were times it was hard to appreciate them due to so many shots being backlit. Further, one of the most important characters of the film was miscast. I love Michelle Yeoh, Lord knows I do… but I fear she was not the best fit for Madame Morrible.

    I have mixed feelings about Jon Chu as the director. I love him as well, and while I don’t think every choice he made was perfect, I am grateful that he, like some of the cast, was open to the sapphic “Gelphie” subtext, and tried to hint at their love as much as possible in this PG rated film. (I would be so seated for a higher maturity rated version of Wicked, for several reasons).

    I do appreciate the casting of Ariana Grande and Cynthia Erivo, who are both insanely talented and brought so much to their roles, and by extension, the movie as a whole. In fact, some of the most impactful moments of the film are improvised (i.e. the door scene) – which is a testament to Ariana and Cynthia. Their “For Good” performance was touching and one of the better songs of the film. Chu was correct to leave the final shot a surprise to studio execs, which allowed for fans to be genuinely gagged.

    Universal Pictures

    Erivo’s casting in particular deepened the meaning of the franchise for a lot of fans, myself included. Her portrayal of Elphaba, and the connections to being a Black woman in America, take the themes of this story to a whole new level.

    Having said that, the radical themes presented in the first film is what makes the second part more of a let down. We were ready to take down Oz! To see Elphaba be all powerful! And to see her actually, even for five minutes, be truly wicked.

    Instead Elphaba, who was once the most studious and all powerful in Oz, seemed less studied, less powerful, and at times defeated. With Elphaba now being portrayed by a Black actress, the implications of Glinda’s actions (and the ending) are even worse. Many of the unfortunate events that occur in this story can be traced back to Glinda. Not only was she fake, but she incredibly selfish and weak, which caused significant harm those around her.

    In regards to her wedding day — It’s not like Elphaba was trying to seduce Fiyero to go away with her. Fiyero was lowkey always ready to ride for Elphaba. Glinda couldn’t handle not being that girl, and she couldn’t handle losing the love of her life (Elphaba) on her wedding day. I understand her pain, but she didn’t have to set up Nessarose (even though I could care less about her, either).

    Universal Pictures

    Glinda has pretended her whole life, and she only gains an ounce of bravery once her “best friend” (for whom she did practically nothing to help save) dies. Now she is bestowed the land of Oz, the magic, and the responsibility of upholding what is “Good”.

    Even in the first film, their friendship felt unearned. But, I had to remind myself: There were literally no other green people in Oz. Elphaba lived a complicated, lonely life, so of course breadcrumbs of friendship with the most popular girl in the land felt like a feast. 

    No friend of mine would stand back and watch me die, or let people speak down on my name. No friend of mine would have participated in the charades of the empire unchallenged for that long. Thus, Glinda will never be a real friend or anything else in my eyes.

    Universal Pictures

    However, I understand that is not true for Elphaba. As aforementioned, she and Glinda love each other, and more than just in a friendship way, which is important to the context of their relationship as well. Nonetheless, Glinda’s inability to stand for something isn’t justified. And while the childhood flashback was cute and helpful for rationalizing her behavior as an adult, it doesn’t absolve her, either.

    On the contrary, Fiyero (played by the charming Jonathan Bailey, aka People’s “Sexiest Man Alive“), proved to be a true ally to Elphaba. He saw her for who she was, from the beginning. He was ready and willing to risk it all — rebelling and riding for her when necessary. The character that was once “dancing through life” and felt that “nothing really matters” found something worth fighting for. When it was time to leave Oz, he was ready to follow Elphaba. He instinctually protected her, even though she was technically more powerful than him.

    For these reasons, I don’t agree that Fiyero and Elphaba’s love story was forced, or present purely because of heteronormativity. However, I do think Elphaba and Glinda will always love each other more. 

    Elphaba wanted Glinda to choose her the way Fiyero did. And if she did, they could’ve been in a throuple or something, who knows?

    Universal Pictures

    Initially, the ending was really tragic to me not because Glinda and Elphaba don’t get to be together, but because Elphaba’s ending hit too close to home. There are so many parallels between Elphaba’s ostracization in Oz and how Black women are treated in real life. So many Black women have died not getting the credit they were due.

    Black women are constantly copied, while never praised. Needed, but never valued. Admired only in secret. Publicly hated on for our aura, and for our power. Elphaba was the most powerful being in Oz. Hated for being green yet emerald signified regal status in the highest city in the land. A white man was credited for something he could only pretend to be, and tried to use her for the power he only wished he had.

    At least in faking her death, Elphaba got to live on her own terms. After debriefing with friends, the only solace I could find is that Elphaba needed to move on because she was tired of living that life. Tired of being unappreciated, lied on, and fighting for those that didn’t want to be saved. Maybe the only true peace she could find was in death, unfortunately like many Black women that came before her. 

    Universal Pictures

    I was still unsettled with the notion that a white woman would live off of Elphaba’s goodwill, that no good deed of hers would not only go unpunished but unrecognized. More than this, the political parallels in these times did not need an ending that leaned into white saviorism.

    But my debrief with friends helped again, coming to the conclusion that even if Elphaba had gotten the credit, and the rest of Oz knew she was alive, they would never leave her alone. They would still want to use her for what she could do for them, she would never be free to have a life of her own.

    Thus, I am holding space for Elphie and what makes her happy. And she gets to ride away with Fiyero who now literally has the “ding-a-ling of gold”. (IYKYK: Fiyero is now made of straw but his member isn’t…word to a fun song the Braxton girls once sang).

    In the end Elphaba chose herself and her peace, and Glinda got she wanted, but at a very expensive cost.

    Final Thoughts

    While this film is not perfect, I still consider it to be good art as it is entertaining and encourages discussion. Art should make you feel something. Admittedly, I’ve been in my feelings for a year about Elphaba. The Wizard of Oz (released 1939) is the most-watched film of all time, so no wonder Wicked is breaking box office records and connecting deeply with the masses, even after all this time.

    Wicked (and Elphaba) will be that girl, regardless of her flaws. And thus, it’s a certified bop. 🍿🍿🍿

    Universal Pictures

  • Welcome to the blog!

    Hello and welcome to Still In Bloom Creative Studio, serving as a portal to my new and improved blog. I am a lover of art and pop culture, and I love to write about movies and other passions. Please enjoy and subscribe if you like!